Posts

Mythos

We’ve covered postmodernist history. But what happens when postmodernism is applied to the present in a bad-faith argument -- or even a genuine one? Ideas like “the past is unknowable” can be used to argue that the present is unknowable, too, or at least the parts of it that we cannot directly experience. A distrust in modernist single-narrative history might expand into a similar distrust for mainstream news media. And cheeky stories about the past -- like Libra , which blends a factual retelling of JFK’s assassination with conspiracy theory -- become sinister when used to inform people of the present. The postmodern idea that “all viewpoints must be respected” is especially insidious when used by bad actors today, who might employ it to argue that we should tolerate intolerance or flat-out lies. (For example, that coronavirus hoaxes are “valid points of view.”) Unfortunately, these arguments have led not to a utopian “marketplace of ideas,” but to a rather dystopian news ecosy...

Did Rufus Love Alice?

Around the midpoint of Kindred, when Rufus began his pursuit of Alice, I wondered if his love for her would inspire a questioning of his own racist beliefs. Maybe, as Rufus acknowledged his feelings for Alice, he would also acknowledge her own humanity and agency. Maybe he would realize that the woman he loved was a woman and not an object. Dana had the same hope for Rufus, and she attempted to guide him toward that realization since she knew she could not separate Rufus and Alice before Hagar was born. Alas, Rufus was unable to make any logical or emotional leap and grant Alice agency. If Rufus was truly in love with Alice, how was he unable to empathize with her? And if Rufus wasn’t in love, what emotion was he taking out on her? Rufus’s ideal relationship with Alice is not a typical (for the time) master/slave one. He wants a romantic relationship where he loves Alice and Alice loves him back. He doesn’t want to have to force Alice into anything. However, the distinction be...

Flaws in the Telegraphic Worldview

In the first few weeks of this class, when we were reading essays about postmodernism and trying to wrap our heads around what a postmodernist history would look like, I had a vague vision of the Postmodernist Historical Novel taken to its limit that I thought would be impossible to write. In this novel, the author tries to distance themself from all metanarrative. They stick to only verifiable facts about the past, garnered from primary sources. They can’t try to tell a story about a time period, because the act of telling stories shapes the past in a way that postmodernists were aware of and uncomfortable with. The “novel” ends up just being a series of descriptions of primary sources, completely unintelligible and completely unread. Even if it could be deciphered, it would be useless because people automatically construct stories when presented with series of events.  Kurt Vonnegut’s character Billy Pilgrim and his fictional race of Tralfamadorians view the world like th...